DoGoodFilms director and self-confessed foodie, Ivo Belohoubek shares his experience at Wagamama Noodle Lab trying a selection of limited edition and classics dishes on a date with The Soho Girl.
Writer and theatre lover Rosario Blue shares her take on Shuck ‘N’ Jive currently showing at the Soho Theatre.
Writer Rosario Blue at Soho Theatre | Picture credit: The Soho Girl
Shuck ‘N’ Jive is a metatheatrical piece about racism within the performing arts industry and the fight for opera singer Simone and actress Cassi to be seen for more than just their race. Olivia Onyehara (playing Simone) and Tanisha Spring (playing Cassi) put on superb performances with a script equally as superb.
Photo credit: Helen Maybanks
What is it really like to be a woman of colour in the industry? Well, Shuck ‘N’ Jive gives you a little taster of just what that looks like. For Simone and Cassi, it is being nothing more than their race. Simone is dealing with the reality that London isn’t as progressive and post-racial as she had expected, while Cassi is sick to death of being typecast as the ‘sassy friend’ or the ‘courageous slave’.
As you journey through the infuriating but humour-filled experiences of these women and the daily aggressions they are subjected to, you are left with the sobering reminder that these scenarios are semi-autobiographical and an accurate reflection of the insidious nature of racism and racial prejudice within the industry.
Photo credit: Helen Maybanks
One scene sees Simone’s audition for a role in Porgy and Bess morph in to a minstrel show singing a song that sounds straight out of the American Jim Crow era Deep South. The scene is indeed funny, but tragic.
We are later faced with a difficult scene where the women are being harassed on a night out by a white man and after kindly refusing the man’s advances are subject to a torrent of reprehensible racial abuse. This scene brought to mind the famous quote by John Stuart Mill : “Bad men need nothing more to compass their ends, than that good men should look on and do nothing” a sentiment both Cassi and Simone would later be forced to unpack.
Photo credit: Helen Maybanks
‘Fine Between Friends’ the fantastically satirical quiz show, in which points were awarded for each racially-charged microaggression they could turn a blind eye to – microaggressions that many in the audience may have experienced, as heads bobbed up and down in agreement.
There were many highlights in the show, but one of my favourites was the text message conversations between Cassi and Simone. They were read aloud and performed in such a way that made me feel like Tanisha and Olivia were narrating my own text conversations between my best friend and I. Moments like these felt so real and were brought alive superbly through the direction of Lakesha Arie-Angelo and Berkeley-Agyepong, and Spring and Onyehara’s infectious on-stage chemistry.
The play was eye-opening, and took no prisoners. It was not afraid to throw punches and shine a light on the idea of being the “good immigrant”, in a manner of speaking. It was not afraid to hit us with hard questions or identify contradictions like should I turn a blind eye to microaggressions to reach a point where they no longer affect me?… Since we want the jobs, just not under the conditions that they are presented to us.
Photo credit: Helen MaybanksPhoto credit: Helen Maybanks
Plays like Shuck ‘N’ Jive exists because of having the opportunity for minorities to tell their stories. Berkeley-Agyepong and Ibbett-Brown are representative of the types of voices that rarely get heard in the creative industries; seeing their debut play is testament to why it is essential that work on diversifying the arts continues. Plays like these can contribute to the conversation as well as make tangible changes.
With Ranya El Refaey’s multi-functional traverse stage, to Spring and Onyehara’s outstanding performances and musical talents, to the fast and animated pace of Berkeley-Agyepong and Ibbett-Brown’s script – Shuck ‘N’ Jive simply did not disappoint. It is an honest, bold and courageous account of just how much work is left to do in changing racist attitudes within the industry, and it relates it with charm, hilarity and brutal truths – it’s a show you most definitely do not want to miss!
We loved the show so much we just had to arrange to meet the cast and writers. Look out for the next post where we share our conversation on race, identity and respecting the process…
Shuck n Jive cast and co-writer
Rosario Blue with Shuck n Jive cast and co-writer
The Soho Girl with Shuck n Jive cast and co-writer
Have you seen Shuck ‘n’ Jive? Interested in going to see it? Let us know your thoughts in the comment box below!
Have you checked out the pilot issue of My Soho Times? CLICK HEREto view online! My Soho Times is a brand new hyper local print magazine launching this winter. We’re looking for contributors and local businesses to partner with! Email us to find out more info@mysohotimes.co.uk
We’re finally out of the closet! Yesterday we held our first My Soho Times pop up at WeWork Soho’s Great Chapel St. What a surreal yet fulfilling experience it was to share this magazine venture out in public for the first time – outside of social media!
From blog to print magazine
My Soho Times initially started as a blog platform in 2015, and it was only this summer that I decided to take a bold step by turning it into a physical print magazine as the internet is already saturated with lifestyle content for Soho. Our afternoon at WeWorkwas an opportunity to speak to startups and businesses we can possibly feature for our New Year New Career theme.
I particularly loved the positive affirmations dotted around the WeWork venue as a reminder to ‘Do What You Love‘… An apt philosophy since it also happened to be World Mental Health Day.
Ivo, DoGoodFilms at our WeWork popup
We’ll be at WoWork Soho again this time at Medius House on the 24th October!
Special thanks to Ivo (DoGoodFilms) for coming along to support, the people we spoke to, Junia for the spontaneous footage, WeWork community associates Jacob and Kashif who started his first day at this WeWork site and showered us with positivity, and the WeWork Soho team for this amazing opportunity!
📍16 Great Chapel St, Soho, London W1F 8FL
T: 020 3695 7895
Have you checked out the pilot issue of My Soho Times? CLICK HEREto view online!
My Soho Times is a brand new hyper local print magazine launching this winter. We’re looking for contributors and local businesses to partner with! Email us to find out more info@mysohotimes.co.uk
Let me know your thoughts in the comment box below!
p.s I’m #DelightfullyDyslexic – please see beyond any minor spelling errors or let me know in the comment box below!
Japanese cuisine is more than just sushi… That’s why events such as Japan Week (23rd – 3rd Oct) are a great way to showcase the diversity of Japanese food and drink. I joined the celebration at the tail end by choosing Aqua Kyoto – one of London’s most trendy and unique dining destinations for Japanese cuisine, for my date night. I’m no stranger to this 5th floor Bar and Restaurant, having spent a few summer dates on their outdoor terrace with a cocktail in had enjoying the views above Regents Street. Aqua also sits in place of the renowned former Dickens & Jones department store – where I had one of my first retail jobs in my late teens whilst living in Soho… So the connection runs deep!
This particular autumn evening, I wanted to try something new. I’m an indecisive Libra (fyi it’s birthday month) – and an endless menu often leaves me overwhelmed (I usually ask the staff for recommendations or I’d be reading the menu for hours!) Aqua Kyoto’s Japanese inspired Wabi Sabi menu eliminates any indecisiveness by offering a simple choice of specially selected options for a delicious 3 course meal plus a cocktail (mocktail option available) for just £29! This is a menu which doesn’t disappoint!
For starter we went with…
Tori kara age, purple sweet potato mayo, wasabi furikake & Cobia sashimi salad, ponzu, zuma salad.
He got first dips on the crispy chicken tori kara ageHis and hers starter…
For our mains we went with…
Asparagus yuzu kosho dashi, edamame, shiso yaki udon, sea bass, sesame sudachi soy, tsuma salad, and a Japanese egg rice prepared at the table in a performance-like style to accompany your main course.
Unlike the other courses, the dessert section doesn’t come with options and that’s possibly because there need only be one option to top it all off… The green tea brulee served with yuzu chocolate, and Japanese strawberry sorbet!… This was one part of the meal I didn’t mind not sharing!
Overall, we had a wonderful date night and we simply couldn’t fault anything! Great atmosphere (surprisingly not too busy during our Thursday night 6.30pm reservation), delicious food beautifully presented, and the hospitality was on point!
The Wabi Sabi menu is a special deal of 3 courses and a cocktail £29. *Available Monday to Friday 12pm – 2:30pm, Monday to Thursday 5.30pm – 10.30pm, Friday and Saturday 5.30pm – 7.00pm.
Refurbishment plans
Aqua Kyoto is known for it’s central sushi bar, open sumibiyaki charcoal grill, and sleek theatrical black and red Japanese decor. However from the *10th October 2019 the restaurant will be closed for refurbishment until end of November. Manager Federico indulged me with some pictures of the new layout and decor… I have to say the current signature look will be missed however there’s a treat in store for us when the restaurant re-opens! The roof terrace will also have a do-up to make it cosier in the milder months and keep us protected from the typical London rain!
The Soho Girl with manager Federico
During this closure you can still visit sister restaurant Aqua Nueva serving contemporary Spanish cuisine, and enjoy views from their outdoor terrace. To make a reservation please click here
📍Aqua, 5th Floor, 240 Regent Street (Entrance 30 Argyll Street) London, UK W1B 3BR
Reservations: +44 020 7478 0540
Soho has a long and rich history of Italian culture, and this family-run restaurant in the heart of Soho is a contemporary addition, having served Italian cuisine for nearly two decades.
Conveniently named after its street address, there’s no forgetting where 40 Dean Street is located sitting amongst a cute cluster of quaint restaurants. The restaurant boasts a mahogany bistro-style interior, with a small (dog-friendly) dining space exterior which gives a postcard image of Soho-life and the restaurant’s clientele – clearly a favourite with the media crowd, local residents and theatre goers. I’ll admit, in all my years living in the area, it wasn’t until fairly recently that I became intrigued by Forty, which perhaps comes down to its refurbishment a few years ago.
With a much needed THE DUCHESS OF SOHO cocktail in handDate night with cousin Freda at 40 Dean Street
So for my date night, I took my cousin Freda for a treat and much needed catch up. Nothing quite says ‘girly catch up’ like a cocktail in hand and comforting seafood pasta dishes. For our mains, we got Chef Rodrigo Morais to recommend a few of his specials…
Chef’s recommendation: Lobster ravioli in a shellfish bisque sauceChef’s recommendation: Black ink linguini with crab, prawns and courgette
We also went for…
Fried squid and zucchini with an aioli and sweet chilli sauce
THE DUCHESS OF SOHO: Ratafia, Frangelico, STARWARD wine cask and double espresso
Pan-fried tiger prawns with shellfish and brandy sauce
Aubergine parmigiana
40 Dean Street is perfect for anyone looking for an authentic Italian experience – with the hospitality to match! Its set menu offers an affordable dining experience, and the à la carte menu includes a selection of classics which have been tried, tested and approved by its regulars… I’ll be back again soon for more of that black ink seafood linguini!
All the way from across the pond, broadway star and Gospel sensation Jeannette Bayardelle – writer and performer, and director Andy Sandberg bring Shida to London. Showing at the Vaults Theatre, I made my way to Waterloo on opening night by invitation of Mr London, Talentbanq’s CEO Ray Jones. The show had such an impact on me – I knew I’d be back for more!
Jeannette Bayardelle and Andy Sandberg
Inspired by a true story, Shida is a one-woman musical with the same velocity of a full cast, which makes it all that much more magical. There’s something in Shida that anyone can relate to. For me it was the story of a young girl with dreams of being a writer, and having them almost snatched away by life’s odds stacked against her… On the day I watched Shida for the first time, I’d just received copies of the My Soho Times magazine pilot. My heart was full, yet like Shida, I too had faced my fair share of challenges to get to that moment, which made me connect to Bayardelle’s powerful performance even more.
In the intimate theatre setting, I found myself releasing emotions I had bottled in on my own journey, and – together with Shida, felt inspired to give my dreams a second chance.
It was only a matter of time before I was sitting with Jeannette Bayardelle and Andy Sandberg for an interview for my personal blog Travelmaker Kai, however I came with copies of the My Soho Times, and they both showed their support for it.
London, you know how to show a gal some love… This musical is an ABSOLUTE MUST-SEE!
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